‘Conclave’ MOVIE REVIEW: Tense and Intriguing, with a Final Act Misstep

Roadshow Films

Conclave is, for the most part, a well-written, beautifully acted, and gorgeously shot film that maintains a quiet but palpable tension throughout. Why “for the most part”? I’ll get to that very shortly.

The story, which follows the tense proceedings after the Pope’s death and the ensuing election of a successor, is crafted like a political thriller – and unfolds in deliciously melodramatic fashion. The picture is largely tightly constructed, keeping us guessing about character motivation while delivering a steady stream of reveals to hold your attention. It’s a strong balance of intrigue and tension, with precise direction from helmer Edward Berger (All Quiet on the Western Front).

Ralph Fiennes delivers a stellar performance, as one expects from the ever-reliable actor. He captures the weight of the situation with nuance and cleverly underplays his role, often making his character another piece of the puzzle. Supporting performances from John Lithgow, Stanley Tucci, and Isabella Rossellini (among others) further elevate the film.

However, the final couple of chapters undermine much of what precedes them. Without delving into spoilers, the grand twists hinted at throughout are ultimately replaced by unexpected reveals that don’t quite land. While the major shocker, in particular, offers commentary on the rigidity of the Church and the self-centredness often found within religious institutions, it feels more like an unsatisfying resolution than the powerful statement it so desires to be. Sure, some lingering questions are answered, but the payoff lacks the impact one might hope for after such a strong build-up.