‘Supergirl’ Review: Milly Alcock Leads a Far-From-Super but Watchable DC Entry
This is not James Gunn directing (he’s producing), but the filmmaker’s imprint is all over it, and not in a way that does the film too many favours…
Guillermo Troncoso Reviews
‘Punisher: One Last Kill’ Review: Jon Bernthal Brings the Pain in a Brutal But Thin Marvel Special
A decent, blood-soaked chapter in Frank Castle’s Marvel screen story. It’s also a bit too familiar and limited for its own good…
‘Screw Movie Critics’? The Irony Behind the Internet’s Favourite Film Take
Everyone’s a critic — just don’t call them one. A look at audience scores, bias, and modern film debate…
‘Project Hail Mary’ Review: Ryan Gosling and Rocky Power a Funny, Heartfelt Sci-Fi Adventure
For all the end-of-the-world stakes and cosmic problem-solving, this is also a surprisingly disarming buddy adventure, and that’s what gives it its real lift…
‘Reminders of Him’ Review: Maika Monroe Leads a Tedious and Sappy Colleen Hoover Adaptation
The cast does what it can, but this is a glossy and overly sentimental weepy that never digs into its emotional potential…
‘Scream 7’ Review: Neve Campbell’s Return Can’t Save a Dull Blade
Bringing Sidney back into the spotlight is an easy way to draw the fanbase in again. Beyond that, it struggles to justify its own return…
‘EPiC: Elvis Presley in Concert’ Review: Baz Luhrmann’s Electrifying Concert Film Is a Must-See for Elvis Fans
On a purely visual and sonic level, this is about as close as you can get to “being there”…
‘We Bury the Dead’ Review: Mourning the Dead, Missing the Impact
The zombie drama leans into grief and atmosphere, but the emotion and horror don’t bite hard enough to fully cut through…
‘It Was Just An Accident’ Review: Jafar Panahi’s Angry, Darkly Comic Thriller Confronts Power and Trauma
A morality tale and a revenge parable, one concerned with how trauma inflicted by a regime festers within society, and what that festering can ultimately give rise to…
‘Send Help’ Review: Rachel McAdams and Dylan O’Brien Shine in Sam Raimi’s Cruelly Funny Two-Hander
Raimi’s latest is a darkly funny thriller with standout performances, despite a few rough edges…
‘Sentimental Value’ Movie Review: Joachim Trier’s Exploration of Art, Absence, and the Long Shadow of Family
A film about generational trauma, the echoes of parental absence, and the limits and possibilities of family communication…
‘Primate’ Review: A Fun, Familiar Slasher with a Killer Chimp Twist
Doesn’t fully juice its best ideas, but does deliver enough blood, craft, and energy to satisfy genre fans…
‘Marty Supreme’ Review: Timothée Chalamet Goes for Broke in Josh Safdie’s Unhinged Character Study
Safdie’s command of escalation keeps the film consistently engaging, and Chalamet’s intensity gives Marty a jagged unpredictability that makes it a journey well worth taking…
‘The Rip’ Review: Ben Affleck and Matt Damon Lead a Gritty, Paranoia-Driven Netflix Cop Thriller
A gritty Netflix crime thriller that thrives on paranoia, shifting loyalties, and tight, contained tension.
‘No Other Choice’ Review: Park Chan-wook’s Grimly Entertaining Look at Work, Identity, and Desperation
Even when it overreaches, it does so with confidence, craft, and a dark sense of humour…
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Are Outstanding in This Profound Study of Grief and Loss
I found myself floored by individual moments, struck by its quiet beauty and poetic touch, and undone by its unguarded honesty…
‘Nuremberg’ Review: Russell Crowe, Rami Malek and Michael Shannon Power a Compelling War Crimes Drama
A compelling, accessible historical drama with strong central performances and a clear, if sometimes overstated, sense of purpose…
‘Dead of Winter’ Review: Emma Thompson Steadies a Thriller on Thin Ice
Solid enough, although a lighter touch with the sentimentality and a bit more ambition on the action front would have helped…
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