
‘ARQ’ Movie Review: Robbie Amell Netflix Film is Riveting Sci-Fi on a Budget
Pours everything into creating a strong story.

Pours everything into creating a strong story.
There are some laughs to be had, but the bloody gore and silly slapstick never quite gel together.

Despite being partly crowd-funded, the film is as smoothly produced as any Hollywood blockbuster.
Though it falls short of greatness, you’ll leave the cinema with a smile on your face.
Like its characters, ‘Spin Out’ is quirky and flawed, but very loveable.
Flawed and impossible to recommend, but it does show potential for writer-director Trey Nelson.
Nothing can make up for the excruciatingly slow pace.
A low-budget Aussie horror-comedy fans of zombie pics should put on their list.
Never quite shakes off its own crippling sense of insecurity.
An endless stretch of running and shooting for reasons that feel ultimately pointless.
A discarded rubber tire comes to life in the desert and discovers the ability to make people’s heads explode with sheer will power. Yep.
Despite a convoluted and clunky screenplay, you can still set your Neural Net Processor to ‘read only’, sit back and enjoy the ride.
Despite a slightly uneven tone, Minions manages to be a bizarrely entertaining movie for all ages.
It’s hard to say what Supergirl stands for, because it’s never been that clear to begin with.

At least Sharknado never took itself remotely seriously. Despite a promising premise, San Andreas is little more than CGI porn.
Elizabeth Bank’s sequel to the 2012 popular girly flick Pitch Perfect is just like the original, and that’s not a bad thing. We review Pitch Perfect 2…
While anti-climactic and not for the easily-distracted, We are Young. We are Strong succeeds in painting a compelling portrait of the 1992 Rostock riots.