‘Magic Mike’s Last Dance’ MOVIE REVIEW: Channing Tatum and Steven Soderbergh Threequel Doesn’t Quite Bare All
Despite good chemistry between our two leads, MMLD isn’t quite the poignant-drama or high-energy dance film it thinks it is…
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Tag: Channing Tatum
‘Magic Mike’s Last Dance’ Trailer: Channing Tatum Flaunts It in England with Salma Hayek
Steven Soderbergh returns to the franchise as director…
‘The Lost City’ MOVIE REVIEW: Sandra Bullock & Channing Tatum Shine in Likeable Rom-Com Adventure
While the film lacks consistency, there is no denying the joy in watching Tatum and Bullock’s chemistry…
‘Dog’ Trailer: Channing Tatum Heads on a Road Trip with a Former Canine Soldier
Looks sweet… but how much should I expect to cry?
‘Magic Mike XXL’ MOVIE REVIEW: Hot Moves and Eye Candy, Little Else
The set pieces are bigger, the choreography is more impressive, but there just isn’t really anything here to care about.
Jupiter Ascending REVIEW
Jupiter Ascending “whole-heartedly and affectionately embraces science fiction clichés.” We review the latest film from the Wachowskis…
22 Jump Street REVIEW
Channing Tatum and Jonah Hill are back in 22 Jump Street, the creatively titled follow-up to the 2012 hit-comedy 21 Jump Street. Based on the Johnny Depp-starring series of the same name, 21 Jump Street saw Tatum and Hill play two
White House Down REVIEW
Written by Rosie Taylor. If you thoroughly enjoy unrealistic cinematic disasters, White House Down is a high ten. Heart-throb of the minute Channing Tatum, not one to surprise, plays yet another gunslinger in the form of an aspiring secret service agent
G.I. Joe: Retaliation REVIEW
Written by Guillermo Troncoso. The first G.I. Joe flick, G.I. Joe: The Rise of Cobra, was a pretty awful exercise in dull action and lazy screenwriting. Even a cast that included Dennis Quaid, Channing Tatum and Joseph Gordon-Levitt couldn’t help
Side Effects REVIEW
Written by Zac Platt. Side Effects has enough interesting material to explore to be a truly memorable thriller, unfortunately director Steven Soderbergh’s approach is claustrophobic and unfocussed. The first half of Side Effects explores Emily’s (Rooney Mara) depression and the
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