‘The Man from U.N.C.L.E.’ MOVIE REVIEW
A pleasant time all too easily forgotten once you pass that exit sign.
A pleasant time all too easily forgotten once you pass that exit sign.
A doco about following your heart, when real life and boring responsibilities have intervened.
A needed antidote to the sentimental narratives of current indie cinema, which of late tends to rely on quirky visuals and over-scripted dialogue.
Moving in its fatalism, but tempered with good natured humour, a sense of compassion, and authentic performances.
A disappointing parody, which while not a resolutely terrible film, is not a very good one either.
Bleak, beautiful, uncomfortable, and confronting.
Amy Schumer’s work as star and screenwriter brings a bit of fresh air to the generic rom-com elements on display.
Despite being ultimately light on the horror side of things, Spring remains an intriguing monster love story.
The series ends with a twist that probably could have been left on the cutting room floor.