
‘The Conjuring 2’ MOVIE REVIEW
Slightly weaker than its predecessor, but still a solid entry for the genre.
Slightly weaker than its predecessor, but still a solid entry for the genre.
Fuller offers up some enticing tidbits about why this screenplay gave the project new life.
This heart-warming tale of malevolent, acrid slime remains a massively underappreciated gem.
An arduous and repetitive cycle of uninspired tosh and unimaginative horror.
A low-budget Aussie horror-comedy fans of zombie pics should put on their list.
Zombie flicks are here to stay, and the outrageous deaths are only getting better.
Lazy jump scares, a mediocre use of 3D, and a tacked on ending.
Dario Argento’s vivid imagery and potent dose of sheer brutality makes Suspiria a true stand out.
Although The Witch tackles interesting themes, uses ambiguity and does conclude quite well, its subdued tones make the film a bit lacklustre.
Deathgasm labours under the misapprehension that its puerile sense of humour makes it funny by default. It does not.
Despite being ultimately light on the horror side of things, Spring remains an intriguing monster love story.
While there are decent performances and some effective scares, the updates and reimaginings don’t prove substantial enough to warrant a reboot.
It Follows excels is in not denouncing the imagination of its audience, but by allowing it to be an active participant in the realm of the macabre…
Carnival of Souls, the 1962 horror film from director Herk Harvey, is chilling, atmospheric, emotional and influential. Our latest ‘Reel Classic’ is here…
If you’re on the lookout for a great low-budget horror film, and if you like to chart the growth of a great emerging director, than Avenged should definitely be on your to-watch list…
Generally speaking, the horror genre doesn’t see too many big-screen outings these days. The usual low-budgets associated with these films are obviously big factors when it comes to distribution and marketing, but the sad truth is that this is a
When I was a child my father made the ill-advised decision of allowing me to watch Chucky. I don’t know why he thought it would be a good idea to show his impressionable four-year-old daughter a movie about a killer doll, but
[Review written by Lola Sterrett] The Babadook is one of the most horrific movies I have seen in years. All I can say is thank you writer-director Jennifer Kent for making a film that is the essence of childhood nightmares.